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Wind damage

This satellite dish nearly broke off of its mount during a “macroburst” event.  According to the National Weather Service:

A macroburst is a thunderstorm downdraft affecting an area at least 2.5 miles wide with peak winds lasting 5 to 20 minutes. The macroburst is a straight-line wind phenomena not associated with rotation…used to differentiate from tornadic
winds. Macrobursts can produce as much if not more damage as tornadoes due to the size and scope of a macroburst.

On May 15th a large group of severe thunderstorms triggered at least three tornadoes and one macroburst event in eastern New York and Western Connecticut.  Winds in the macroburst area were estimated to be in the 85 to 105 MPH range.

The next morning, it took a long time to get the the clients studio.  Trees where down everywhere, roads were closed, traffic lights not working, etc.  This created numerous detours and traffic jams.  When I finally arrived at a clients studio facility, this was the first thing I noticed:

Comtech 3.8 meter dish with broken mount

Comtech 3.8 meter dish with broken mount

That is an older 3.8 meter comtech dish hanging on by one 3/8 inch stainless steel U bolt.  The funny thing is, they did not complain about this or the lack of satellite service.  The main complaint was that the studios were on generator and some of the lights and air conditioners were not working.

Comtech 3/8 inch stainless U bolt holding up 650 pound dish

Comtech 3/8 inch stainless U bolt sheared off

Comtech 3.8 meter dish support bracket twisted

Comtech 3.8 meter dish support bracket twisted

This dish had originally been put up when AMC-8 was the main commercial radio network bird in the US.  The dish elevation was only 9 degrees above the horizon, so this had to be put up next to the building at roof top level to clear the trees and see 139W.

I was attempting to secure the dish but in the end, the 650 pound dish was too tenuous and the weather was still unstable.  There was other damage to the dish thus we decided to take it down instead.  Even that took a bit of doing.  We were trying find a crane or bucket truck, but all that type of equipment had been pressed into service with recovery efforts.  We finally undid all the bolts and bracing and fell it like a tree.

Comtech dish on the ground

Comtech dish on the ground

The dish was then cut up and put in the dumpster.

The new satellite dish will be installed next to building in a lower position.

AM station downgrade

I have been working on another formerly direction class B AM station, this one is in Rutland, VT.  WSYB has been on the air since 1931 with the same call letters serving the east central part of Vermont.  In 1931, it was operating on 1500 kc with 100 watts of power.  In March 1941 it moved to 1490 kc with 250 watts before settling, a few months later, on 1380 with 1,000 watts, directional night time protecting CKPC in Brantford, Ontario, Canada.

The transmitter site was first located at 80 West Street (now known as BUS US 4), in Rutland.  It was moved to its current Dorr Drive (Formerly Creek Road) location in 1938, when the station was requesting a power upgrade to 250 watts.  Whilst cleaning out the old transmitter building, a copy of an operating log, dated December 7, 1945 was discovered in the attic above the transmitter room:

WSYB transmitter log, 1945

Back from the time when readings were required every 30 minutes.

In 1956, WSYB was allowed 5,000 watts daytime non-directional with 1,000 watts night time directional.

At some point in the early 1990’s, the original towers were replaced with solid leg Pirod towers, each 195 feet tall.

After that, things went the way things do; AM steadily declined in favor of FM, local programming was mostly replaced by syndicated satellite stuff, there were several transfers of ownership, etc.

A translator on 100.1 MHz was added in 2016; the two bay Shively antenna was installed at the top of the South West tower.   There is local programming on the station from 6am to noon on weekdays.  There may also be some gardening shows and other such programming on weekends.

The current owner has decided, like they have done in other markets, that AM directional antenna systems are a maintenance nightmare, the risk of FCC sanctions are high for an out of tolerance antenna array, the ratings and income from the station do not justify the risk/cost.  Thus, non-directional night time operation was applied for and granted.  The station is now a Class D with 25 ass kickin’ night time watts.

WSYB had a two tower night time antenna system.  The tower closest to the building (SW) was also the daytime, non-directional tower and it now holds the FM translator antenna and STL antenna.  Thus, it was decided to ground that tower and keep those antennas in service.  The far tower (NE), which was the second tower of the night time array would become the AM antenna.  The night time ATU was built for less than 1,000 watts input power, so several components needed to be upgraded for 5,000 watt operation.

WSYB rebuilt ATU

WSYB rebuilt ATU

I had available these nice vacuum capacitors that came out of another decommissioned antenna system.  The vacuum capacitors are great because the voltage/current ratings are much higher than the mica capacitors that were in the circuit before.  You can see black goop where one of the Sangamo mica capacitors on the input leg failed several years ago.  These vacuum capacitors are rated at 15 KV and the current rating at 1.38 MHz is probably in the 70-80 amp range.  I had to move the base current meter from the former daytime (SW) tower out to the NE tower.  The day night switch was taken out of the circuit.  The transmission line to the far tower was replace with 7/8 inch foam dielectric cable.  A slight touch up of the coil on the input leg of the T network was all that was required to bring it into tune.

The electric lines to the tower have been temporarily disconnected.  As soon as they are reconnected, I will vacuum out all the mouse crap and other debris.  The ATU building also needs some work sealing in up against the elements.

The tower base impedance is 75 ohms, +j95 making the base current 8.6 amps daytime and 0.58 amps night time.

WSYB radiating element

WSYB radiating element

For me, the magic of radio exists at that boundary between the real objects (towers and antennas) and the ether.  The transference of electrical voltages and currents into the magnetosphere is something that still fascinates me to this day.  Coupling a 5,000 watt medium wave transmitter to a tower and watching it work is something that I will never grow tired of.

Fixing another AM station’s antenna system

I have done several of these posts in the past, but it always seems to be of some interest, so it bears repeating.  AM antenna systems are not black magic.  They are actually pretty easy to understand if the fundamental knowledge is in place.  Medium Wave frequency wavelengths are fairly large compared to other broadcast frequencies.  Thus, the components are larger.

The three basic components of an AM antenna system are the tower, the ATU (antenna tuning unit) and the transmission line (AKA Coax).  The tower is the radiating element and they come in a variety of flavors; uniform cross section guyed, self supporting, series excited, shunt excited, etc.   A series excited tower has a base insulator and is fed directly from the ATU.  A shunt excited tower has a grounded base and uses a skirt or folded monopole design to transfer the RF to the main radiating element.  This design has an advantage as the tower can be used for other wireless and broadcast services.

The antenna work in question for this project is WINE, 940 KHz, Brookfield, CT.  The skirted tower is used for WRKI.  It also has two way and cellular clients.  The issue is instability of the WINE antenna system, which is likely due to improperly attached shorting wires between the skirt at the tower.  Over the years, the impedance of the skirt has gone way up.  The tower itself is 152.1 meters (499 feet) tall, or 170.3 electrical degrees.  The skirt length is about 82 electrical degrees and it is shorted at about 72 degrees.  There have been several papers written about folded monopoles for Medium Frequency (AKA AM or Standard) broadcast service.  The recommendations state that for best performance, the short to the tower should be between 62 and 90 electrical degrees.  Since the existing system falls in that range, there must be other problems with the antenna skirt and or shorting wire to the tower.

WINE skirted tower diagram

WINE skirted tower diagram

If one looks at this diagram, that configuration should look something like a gamma match, often used on dipole and yagi type antennas.  A gamma match can be thought of as a stub of transmission line which is bonded to the radiating element at some favorable wave length corresponding to the desired radiation resistance.  This is one of several configurations for folded monopole antennas and this type is most often seen on towers that support other wireless service antennas such as cellular and two way systems which are installed above the skirt.

There are a few interesting data points when looking at these type of antennas.  First is the ratio of the diameter of the skirt over the height of the tower, or D/H.  The larger this ratio is, the better the bandwidth characteristics of the antenna system are.  This makes sense, when you think about it. In this instance, the tower is 151 meters (495.4 feet) tall and the skirt is 3.3 meters (10.83 feet) wide, thus the ratio is 0.0218.

The licensed base impedance if 234 ohms with a good amount of inductive reactance. When Sprint and T-mobile changed their configuration on the tower, that impedance shifted dramatically.  The existing skirt is in fairly rough condition.  The bottom ring that connects to the ATU is made out of copper tubing.  It is attached to the skirt wires with steel saddle clamps, all are rusted and all of which are lose and can slide around.  At some point, the tubing filled up with water, then froze causing the tubing to split open.  At the top of the skirt, the jumper wire looks suspicious and the top ring does not go all the way around. The shorting stub to the tower looks like it is made out of battery jumper cable.  I purchased new cross wire clamps and found some spare copper weld skirt wire at another site.  Both the bottom ring and top ring were replaced as well as the shorting stub to the tower.

After the repair work was done, I had the tower crew reattach the short slightly below the last skirt to tower bonding point.  In that position, I found the impedance went way up.  Thus, going lower was going towards a resonance point.  I had them move the short up to the former shorting point and remeasured and found the impedance was 235 ohms, only 1 ohm off from the previously licensed values.

Initially, I thought it would be nice to find a better position for the shorting stub and get a lower base impedance.  This would make the whole antenna system work better (improve bandwidth, stability, etc).  However, there was a set of guy wires above the bonding point.  The tower crew would have had to disassemble the top ring to move above the guy wires.  We were running out of daylight and weather so I had them lock everything down where it was.  On a station running an all sports format that has no listeners and does not make any money, it does not make a lot of sense to spend gobs of money and time to rebuild the ATU for a new base impedance.  When I got the impedance back to within 0.11% of the licensed values, it was time to declare victory and go home.

Working with rigid transmission line

Installing transmitters requires a multitude of skills; understanding the electrical code, basic wiring, RF theory and even aesthetics play some part in a good installation.  Working with rigid transmission line is a bit like working with plumbing (and is often called that). Rigid transmission line is often used within the transmitter plant to connect to a four port coax switch, test load, backup transmitter and so on.  Sometimes it is used outside to go up the tower to the antenna, however, such use has been mostly supplanted by Heliax type flexible coax.

We completed  a moderate upgrade to a station in Albany; installing a coax switch, test load and backup transmitter.  I thought it would be interesting to document the rigid line work required to complete this installation.  The TPO at this installation is about 5.5 KW including the HD carriers.  The backup transmitter is a Nautel VS-1, analog only.

This site uses 1 5/8 inch transmission line.  That line is good for most installation up to about 10-15 Kilowatts TPO.  Beyond that, 3 inch line should be used for TPO’s up to about 30 Kilowatts or so.  Even though the transmission lines themselves are rated to handle much more power, often times reflected power will create nodes along the line where the forward power and reflected power are in phase.  This can create hot spots and if the reflected power gets high enough, flash overs.

Milwaukee portable band saw

Milwaukee portable band saw

Working with rigid line requires a little bit of patience, careful measurements and some special tools.  Since the line itself is expensive and the transmission line lengthener has yet to be invented, I tend to use the “measure twice and cut once” methodology.   For cutting, I have this nice portable band saw and table.  This particular tool has saved me hours if not days of work at various sites.  I have used it to cut not just coaxial line and cables, but unistrut, threaded rod, copper pipe, coolant line, conduit, wire trays, etc.  If you are doing any type of metal work that involves cutting, this tool is highly recommended.

Milwaukee 6230N Band Saw with cutting table

Milwaukee 6230N Band Saw with cutting table

Next point is how long to cut the line pieces and still accommodate field flanges and inter-bay line anchors (AKA bullets)?  The inner conductor is always going to be sorter than the outer conductor by some amount.   Below is a chart with the dimensions of various types of rigid coaxial cables.

Length cut chart for various sizes of rigid coaxial cables

When working with 1 5/8 inch rigid coax, for example, the outer conductor is cut 0.187 inches (0.47 cm) shorter than measured distance to accommodate the field flange. The inner conductor is cut 0.438 inches (1.11 cm) shorter (dimension “D” in the above diagram) than the outer conductor to accommodate the inter bay anchors. These are per side, so the inner conductor will actually be 0.876 inches (2.22 cm) shorter than the outer conductor.  Incidentally, I find it is easier to work in metric as it is much easier to measure out 2.22 CM than to try and convert 0.876 inches to some fraction commonly found on a tape measure.  For this reason, I always have a metric ruler in my tool kit.

Altronic air cooled 20 KW test load

1 5/8 inch rigid coax run to Altronic air cooled 20 KW test load

1 5/8 inch rigid coax and 4 port coax switch mounted in top of Middle Atlantic Rack

1 5/8 inch rigid coax and 4 port coax switch mounted in top of Middle Atlantic Rack

The next step is de-burring.  This is really critical at high power levels.  I use a copper de-burring tool commonly used by plumbers and electricians.  One could also use a round or rat tail file to de-bur.  The grace of clamp on field flanges is they have some small amount of play in how far onto the rigid line they are clamped.  This can be used to offset any small measurement errors and make the installation look good.

The Gibson Bass Guitar

Back in the days of my early adulthood, I found myself in various situations that were neither familiar nor followed any known script.  Thankfully, I seemed to manage those things without getting suckered too badly and/or causing too much trouble for myself or others.  Thus, when I was living in a barracks building and one of the other guys asked me to loan him $100.00 until pay day, I deferred.  Lending money to anyone is fraught with danger and in 1983 or 1984, $100.00 was worth quite a bit more than it is today, especially for a junior enlisted guy like I was at the time.  A few hours later, the same fellow approached with a different arrangement; I would lend him $100.00 and he in turn would give me his Bass Guitar to hold onto until he paid me back.  I looked at the rather nice Gibson Grabber bass complete with road case and said okay.

Now, this guy took that $100.00 and for some reason that was never clear, stole his room mate’s car that night and went UA.  He was arrested a few days later some distance away near the border to another state.  He never returned to me my $100.00 and I never returned to him his guitar.

1978 Gibson Grabber Bass Guitar with original hard road case

1978 Gibson Grabber Bass Guitar with original hard road case

Over the ensuing years, I have picked this instrument up and fooled around with it from time to time.  I even learned how to plunk along with some easier songs like Louie Louie.  It was never serious and for the last twenty or so years, it sat unused in the back of a closet.  A few days ago, while cleaning up, I noticed the road case sitting there.  A little bit of research reveals that it was made in 1978 at the Gibson Guitar factory in Kalamazoo, MI.  As it is in good condition with the original case, appears to be worth a bit of money.

I took some time and cleaned it up.  One of the pots was a little scratchy, so I cleaned it with a bit of Deoxit.  I took the bridge apart and cleaned it, removed the pick guard and pickups and cleaned those thoroughly.

Gibson Grabber on stand

Gibson Grabber on stand

Being the curious type, I started fooling around with it again.  I then found a few Youtube videos on how to play bass.  I watched those along with some other learning tools.  I began to practice scales.  This turns out to be kind of fun.  I do remember how to read music, although I would need to brush up on this skill somewhat if I want to become an actual bass player.  I purchased a small Fender Amp, a scale chart and a clip on tuner and we are off to the races.  I wonder how the electric bass translates to a stand up bass.  I could forgo the Rock ‘n Roll experience completely, but if I get good enough, I’d really like to play in a Jazz band.  A boy can dream…

Happy New Year!

After a bit of reflection and a few good conversations over the New Year’s Holiday, I decided that I should continue my work on this blog.  I would like to thank all those that have stuck by and waited.  I have received numerous emails and messages off line, all of which have been read and appreciated.

Since the abrupt stoppage last July, which was absolutely necessary for me, many things have happened within the business.  Fortunately, during the hiatus, I was still taking pictures.  After sorting through them, here are a few interesting things that happened:

At one of our client’s AM transmitter sites in Albany, NY a 2.6 Million Watt solar system has been installed.

WROW-AM Steel mounting poles on antenna array field

WROW-AM Steel mounting poles on antenna array field

This project required many steel mounting posts be driven into the ground around the AM towers.  I don’t even know how many, but I would hazard a guess of over three hundred.  Each one of those mounting posts was hand dug down a depth of 6-10 inches to look for ground wires.  Where ever a ground wire was found, it was moved out of the way before the post was set.

WROW-AM ground wire moved out of way

WROW-AM ground wire moved out of way

Basically the solar array covers about 1/2 of the antenna array field.  All of the steel mounting hardware is tied into the ground system, making, what I am sure is a pretty large above ground counterpoise.

WROW-AM solar panel mounting hardware

WROW-AM solar panel mounting hardware

View from the south looking north:

Solar Array installed on WROW antenna array, Glenmont, NY

Solar Array installed on WROW antenna array, Glenmont, NY

View from the north, outside of the transmitter building, looking south:

Solar Array installed on WROW antenna array, Glenmont, NY

Power company interface and disconnect:

Solar Array utility company disconnect, Glenmont, NY

Solar Array utility company disconnect, Glenmont, NY

The utility company had to upgrade the transmission lines to the nearest substation to handle the additional power produced by the solar system. All in all, it was a fun project to watch happen.

At a certain studio building, which is over 150 years old, the roof needed to be replaced.  This required that the 3.2 meter satellite dish and non-penetrating roof mount be moved out of the way while that section of the roof was worked on.

3.2 meter satellite dish

Dish ready to move, all of the concrete ballast removed and taken down from roof.  The roofing contractors constructed a  caddy and the entire dish and mount was slid forward onto the area in front of it.  Since the front part of the roof was not reinforced to hold up the satellite dish, we did not reballast the mount and the XDS receivers ran off of the streaming audio for a couple of days until the dish was put back in its original position.

3.2 meter satellite dish ready to move

3.2 meter satellite dish ready to move

A couple of other studio projects have been underway in various places.  Pictures to follow…

One of our clients sold their radio stations to another one of our clients.

There has also been a bankruptcy of a major radio company here in the good ol’ US of A.  Something that was not unexpected, however, the ramifications of which are still being decided on in various board rooms.  One of the issues as contractors is whether or not we will get paid for our work.  All things considered, it could be much worse.

Learned a valuable lesson about mice chewed wires on generator battery chargers.  I noticed that the battery charger seemed to be dead, therefore, I reached down to make sure the AC plug was in all the way.  A loud pop and flash followed and this was the result:

Arc burns, right hand

Arc burns, right hand

My hand felt a bit warm for a while.  The fourth digit suffered some minor burns.  There is at least one guy I know that would be threatening a lawsuit right now.  Me, not so much…  All of the high voltage stuff we work on; power supplies that can go to 25 KV, and a simple 120 VAC plug is the thing that gets me.

The return of the rotary phase maker.

Rotary phase maker, Kay Industies T-10000-A

Mechanically derived 3rd phase used when the old tube type transmitter cannot be converted to single phase service.

Those are just a few of the things I have been working on.  I will generate some posts on current projects underway.  Those projects include a 2 KW FM transmitter installation, another studio project, repair work on a Harris Z16HD transmitter, etc

It is good to be back!

Uhm, eh-hem. Is this thing on?

Just checking…

The GatesAir FLX-40 transmitter

The GatesAir FLX-40 transmitter is my first liquid cooled transmitter installation.  Previously, I have installed an air cooled Nautel NV-40, a V-40 and a couple of BE FM-35T/20T units.  The WEBE transmitter site in Bridgeport, Connecticut is an interesting facility.

Smoke Stack, Bridgeport Energy, Bridgeport, CT

Smoke Stack, Bridgeport Energy, Bridgeport, CT

This coal fired power plant smoke stack which currently holds up the six bay, half wave spaced Shively antenna.  The old BE FM35A transmitters are getting little bit long in the tooth.  Thus, we picked one to scrap, the other will be kept for backup service.

Scraping 34 year old BE FM30A transmitter

We saved a whole bunch of parts to keep the other FM35A on the air in backup service.

BE FM30A power supply cabinet

The power supply cabinet with that 500 pound plate transformer was the last to go.

On second thought, that plate supply transformer is a good spare to have

On second thought, that plate supply transformer is a good spare to have

The FLX-40 came on a large truck.  Fortunately, we were able to open the side gate at the power plant and get the truck to the front door of the transmitter building easily.  The transmitter consists of two large cabinets, each with two 10 kilowatt power blocks.  There is also a pump station and an outdoor heat exchanger.

FLX-40 cabinet two off the truck

FLX-40 cabinet two off the truck

FLX-40 cabinet one

FLX-40 cabinet one

FLX-40 in place, cabinets bolted together

FLX-40 in place, cabinets bolted together

This transmitter design is based on the Harris digital TV transmitters.

FLX-40 pump station

FLX-40 pump station

The pump station and heat exchanger are the same systems used for TV transmitters.  Liquid cooled units require a bit more planning on the installation end.  The coolant piping should have a high spot from which everything else slopes down hill.

Send and return coolant lines

Send and return coolant lines

I put a 1/4 to 12 inch pitch on everything.  Of course, there are several low points, the heat exchanger, pump station and bottom power blocks.

Holding steady at 18 PSI for 24 hours

Holding steady at 16 PSI for 24 hours

After assembling the cooling system, we pressure tested it for 24 hours.

Installation debris in the coolant line strainer

Installation debris in the coolant line strainer

Following that, we flushed the system with distilled water for several hours before we filled it with 40/60 glycol/water mix. Record low temperature in Bridgeport is -7 F (-22 C), thus a 40/60 mix will give protection down to -15 F (-26 C). The more water in the coolant, the better heat transfer capacity it has.

At the highest point in the system, there is a sight glass and an air purge valve

At the highest point in the system, there is a sight glass and an air purge valve

The pump station is controlled by the transmitter, which speeds up the pumps according to how much heat needs to be moved. In turn, the pump station control the fan speed on the heat exchanger outside.

FLX-40 pump station on line

FLX-40 pump station on line

The pump station runs with one motor most of the time. The other pump motor will run in the event of failure or if there is not enough flow through the power blocks. Each of the four power blocks has a flow rate meter on the return line.

Heat Exchanger Fan motor controllers, Variable Frequency Drive modules

Heat Exchanger Fan motor controllers, Variable Frequency Drive modules

Variable Frequency Drive (VFD) fan motor controllers show them running at half speed.

50 KW heat exhanger

50 KW heat exhanger

GatesAir 50 KW heat exchanger mounted on concrete pad behind the building. Air flows out from the motor side.

One of several shipping containers with modules and other parts for the FLX-40

One of several shipping containers with modules and other parts for the FLX-40

As with most things, some assembly required.  The RF modules needed to be placed in the power blocks according to their serial numbers on the test data sheet.  This insures that the information on the test data sheet matches the installed transmitter configuration.  The power combiner between the two cabinets as well as the reject load and directional coupler all need to be installed.

RF modules with large aluminium heat spreaders.   Coolant flows through each module.

FLX-40 power amp module

FLX-40 power amp module

WEBE, Bridgeport, CT GatesAir FLX-40 on the air for the first time

WEBE, Bridgeport, CT GatesAir FLX-40 on the air for the first time

On the air!

FLX-40 into the antenna

FLX-40 into the antenna

We ran the transmitter for several hours into the antenna yesterday afternoon. The coolant system is still purging air, so we periodically needed to add water/antifreeze to the pump station to keep the pressure between 12-18 PSI. Eventually, the TPO will be 34 KW with the HD carrier(s).

All in all, I would say that this was a fun project. The liquid cooled transmitter had a few extra steps during the installation process, but not too difficult.

Engineering Radio; the satellite reaiming tour 2017!

As previously discussed, the migration from AMC-8 to AMC-18 is in full swing. There is less than two weeks left to complete the re-aiming process.  All totalled, we have 24 of these things to re-point and all but two of them  are done.  Toward that end, I have this down to an art:

  • Go inside and make a note of the signal strength on the satellite receivers on AMC-8
  • Look up the elevation angle on dish align app for AMC-8 then compare that to what the inclinometer reads, note the difference between the calculated and actual readings
  • Look up the elevation angle on the dish align app for AMC-18, apply the difference noted above to the final value
  • Connect the XR-3 satellite aiming tool to the LNB, make sure LNB power is on and the unit is set to AMC-18, C-band
  • Elevate the dish to the AMC-18 final elevation angle calculated above
  • Note the azimuth on the dish align app, look at the satellite picture and pick out a land mark.  Swing the dish towards the land mark
  • As you start to see signal from various satellites, swing more slowly.  If the elevation angle is set correctly, when the dish passes AMC-18 at 105 degrees W, the XR-3 will lock on
  • Peak the signal (azimuth and elevation)
  • Rotate the LNB feed horn for maximum signal to noise ratio
  • Go inside, check satellite receivers, reprogram carrier frequencies as necessary

It is pretty easy. I can do the whole thing in about thirty minutes if there are no rusted bolts, etc. I wonder how many small station owners will wake up on July 1st with no satellite programming?

Comtech Satellite dishes, WABC transmitter site, Lodi, NJ

The Applied Instruments XR-3 (XR-S2ACM-01) VSAT-ACM  satellite signal meter with AMC-18 locked.  This hand held tool is great and makes aiming any dish a snap.  As the sky around AMC-18 is a wee bit crowded, it is easy to mistakenly find the wrong satellite.  With the Identify function, the satellite the dish is aimed to will be displayed, then the dish can be adjusted accordingly to the correct bird.

Applied Instruments XR-3 satellite signal meter

There are many different flavors of dishes; Comtech, Patriot, Prodelin, etc.

Prodelin 3.7 Meter satellite dish

These are all about the same to work with, the only difference is the degree of rust and deterioration on the mounting hardware, the age of the LNB and number of bees nests that need to be removed.

Studio Buildout, Part III

I have been so busy that I forgot to post the pictures of the completed studio build out.  Overall, I would say that I am pretty pleased with the end result.  Of course, this is not Manhattan but rather an unrated market in central New York, and the budget reflected that.  Overall, the radio stations are in much better technical condition than before.  They are now located in the center of their community within walking distance of the town hall, other civic locations and activities.

There are five radio stations broadcasting from this new studio space.  Two stations are simulcast using the Westwood One Classic hits format from the satellite.  The only AM station is a Fox Sports Radio affiliate from the satellite with a local morning show.  Another one is a “we play anything” computer juke box and final station has a country format with quite a bit of local content.  Any station can go on the air from either studio.  In addition, all stations can simulcast the mother ship from Oneonta, which comes down via a Barix Exstreamer 1000.

Walton TOC

The Technical Operation Center consists of four racks containing the Ethernet routers, switches, a patch panel, automation systems, audio routing switchers, air monitor receivers, audio distribution amps, Barix units, Wheatstone Blade IP 88A STL, etc.  The equipment racks came from a disused site in New Jersey.

The satellite dish and receivers are located at the transmitter site, audio and closures come back via the Wheatstone Blade IP 88A.

Everything in this room is backed up by a STACO 2.5 KVA UPS.

TOC wire terminations

The wire termination from the studio are mounted to Krone LSA-PLUS blocks.  Studio trunk wiring consists of connectorized 25 pair CAT 5 cable.  There are also six runs of shielded CAT 5e cable for Ethernet and extended KVM from the TOC.

There is a manual transfer switch with a NEMA L14-30 input receptacle on the bottom.  A twenty for 10/4 SOJ cable will reach the ground from the window in the left hand side of the picture.  This is the standard NEMA plug/receptacle set for a moderate sized portable generator.  That feeds a 100 Amp sub panel which in turn feeds the racks and studio equipment.  Thus the entire facility can be run on a 5000 watt (good quality) portable generator in the event of a prolonged power outage.

The ground buss bar is connected to the main building ground at the service entrance.  All racks and studio consoles are grounded to this main ground point.

The air monitor receivers feed both studios.  There is also a provision to connect audio silence sensors up to each air monitor DA to notify the station staff in the event of an off air situation.  Believe it or not, this type of system has never been installed for these stations.

Studio A is the main studio.  The AudioArts Air4 console is a good fit for this type of operation.  These consoles have USB outputs, so the console can act as a sound card for the digital editing computer.  Each studio is equipped with an air monitor switch that can select any station to feed the external monitor input on the Air 4 console.  This allows the guy on duty to keep an eye on all the signals coming from the facility.

Studio A

The counter tops were custom made at a local kitchen place on trade. The microphone are Heil PR-22 with shock mounts, which are better than the Realistic mics in the old studio.  This is the first time that the main studio has had more than one microphone. The morning show guy has already pressed those guest mics into service with a few on air interviews.

The monitor speakers are JBL LSR305 mounted on home made speaker stands consisting of 18 inch black iron pipe and floor flanges.

Studio A

The small equipment rack is on casters and can roll out from under the studio furniture to get at the back of the equipment.  A used Gentner DH3 TELCO hybrid is used to get phone callers on the air.  Adobe Audition is used for editing and production on the left hand computer monitor.  That CPU is in the bottom of the roll around rack.

Studio A

The office chair and other furniture was also acquired on trade.

Studio A

What the operator sees. STORQ computer on the left for music, Scotts SS32 on the right for automation. Both are extended from the TOC. Unless the morning show guy is live on the air, the console is bypassed and the audio stays in the TOC.

It all works pretty well.

Studio B

Studio B is the same as Studio A except fewer microphones.

Studio B

Studio B operator view.  This studio can be used for one of the other stations or production.

Again, this is not a Fancy Nancy installation, but it does get the job done.