If the CRTC has any sense….

They’ll run away screaming “NOOOOOOOO!” to this notion:

Canada’s plan “B” might include iBiquity.

(as reported by Inside Radio)

Let’s just hope that this is more of iBiquity’s wishful thinking, which is often presented as actual important news being based in fact.  By iBiquity.

Why does the CRTC need a plan B anyway?  Is it not enough that Eureka 147 failed mainly due to a lack of public interest?  If it was something that was commercially viable, wouldn’t it have taken off on its own?  Now they are thinking of ruining the FM broadcast band, which, in my experience in Canada, is working perfectly fine.

Who says “digital” is better?  If anything, what has been discovered in this country is when it comes to HD radio, digital is worse.  Thus far, HD radio has the following going for it:

  • Proprietary system with expensive licensing fees
  • Complicated infrastructure
  • Insufficient building penetration
  • Poor performance in mobile reception environments
  • Lack of original programming
  • Adjacent channel interference
  • Poor receiver sales
  • Lack of general interest and/or knowledge by the public

All of these things have been well documented.  If you work for the Canadian Radio-Television and Telecommunication Commission (CRTC) and are thinking about this, contact me.  I’ll even invite you down for a drive around and you can experience HD radio, in all its glory, firsthand.

AM can’t wait (can it?)

Click on the picture for the original memo (.pdf)

I was digging through some old manuals at the shop today and I found this June 1987 memo from Orban to AM stations titled “AM radio CAN sound almost like FM.”

The main purpose of the memo was to get AM radio stations to implement the NRSC standard for pre-emphasis and high-frequency roll-off to improve the sound of AM broadcasts on ordinary radios.

I am not sure why the receiver manufacturers never designed an IF filter that would be compatible with NRSC, it seems like a fairly simple design.  Instead, what we have is “digital” AM radio (IBOC) which does not work well, and creates many more problems with interference than pre-NRSC broadcasting.

If one were to look at the entirety of AM broadcasting history, one would find some striking parallels with what is happening with IBOC today on both AM and FM.

To start, the NAB began petitioning the FCC to allow more AM broadcasting stations, even as it was known that these stations would create interference with existing stations, especially at night.  Still, the NAB persisted and the FCC relented and through the fifties, sixties, seventies, and eighties many more class II and III stations were established on what used to be clear channels (classes I and IA).

Once the AM band was chock full of stuff, they began going to work on the FM band with 80-90 drop-ins.

You see, for the NAB, more radio stations means more dues money, and greater lobbying power because of the larger size of the industry.   Then came the deregulation of ownership limits.  By this time, Big Group Radio was calling the shots and they wanted more.  This led to the great consolidation rush of the late 1990s from which the radio industry is still reeling.  The consolidation rush led to highly overpriced radio stations being leveraged to the absolute maximum, leading to recent bankruptcies.

Finally, the NAB’s great push toward adopting IBOC digital radio in the early years of the 00s.  IBOC was supposed to save the day, greatly improving the quality of both AM and FM and bringing radio into the 21st century.  Except that the promised technical advances never materialized.  IBOC remains a great expensive boondoggle and I am beginning to think that perhaps we should stop listening to the NAB.

The memo itself is a fascinating thing, which was one could substitute AM with RADIO and come to some of the very same conclusions today regarding analog and IBOC digital radio.  For example, this paragraph on AM stereo:

AM stereo was thought to be an answer (to improve AM), but AM stereo was embraced with the false assumption that having ‘stereo’ automatically meant having ‘high fidelity’.  While AM stereo did provide somewhat better fidelity, it was not comprehensively engineered to get the best fidelity from AM.  It was hoped that the gimmick of having two channels would be enough to save AM.

AM stereo could have been an improvement, had it been properly implemented.  Unfortunately, the underlying problem of bad-sounding receivers was never addressed.  About which, the same memo notes:

Receiver manufactures did what they could to reduce listener complaints – – they narrowed the bandwidth (thereby reducing audio fidelity) until the complaints about interference stopped.  Listeners clearly indicated, through their buying habits, a clear preference for lower fidelity over continuous irritating static, buzzes, whistles, and “monkey chatter’ from adjacent stations.  People accepted this situation for a long time – – until the simultaneous advent of improved receiver technology and the FCC’s anti-simulcasting rules created the FM boom of the late 1970’s. (ed note: I remember listening to FM because there were fewer commercials, not better sounding audio)

Then the memo goes on to stress the importance of implementing NRSC standard for AM broadcasting that included the sharp frequency roll-off at 10 kHz, noting that receiver manufacturers would design “fine new receivers” that would take full advantage of the new standard, but only if broadcasters first showed good faith by widely and promptly implementing it.

As I recall, NRSC-1 was adopted as a rule of law by the FCC in 1989, about two years after this memo was written.  One could reasonably expect that receiver manufacturers then started producing radios that took advantage of the NRSC pre-emphasis curve with IF filters that did not cut off audio frequencies above 3.5 kHz, but rather rolled them off in a gentle slope until about 7 kHz, more aggressively after that until 10 kHz, where they cut off.

Except they didn’t.

Instead, twenty years later, AM radios universally sound bad, with an audio bandwidth of about 3 kHz or so.

I believe that AM receivers could be made with three IF bandwidths, automatically selected based on signal strength.  Within the 5 mv contour, full (10 kHz) audio can be reproduced using a high-frequency roll-off described above.  In the 1 – 5 mv contour, a 6 kHz bandwidth and less than 1 mv a 3 kHz bandwidth.  The automatic selection could be defeated with a “wide/narrow” IF bandwidth selection switch like the GE super radios have.  Of course, if one were listening to stations transmitting AM IBOC, the “narrow” setting would be the best.

Half of me thinks that the ship has already sailed on AM broadcasting.  The stations on the air will continue to decline until they are no longer able to broadcast due to expensive repairs or replacement, at which time they will be turned off.  The other half thinks that AM radio, as evidenced by the huge public response to WEOK and WALL broadcasting the true oldies channel, can be revived.  With the impending inevitable FM IBOC power increases, translator shoe-ins, LPFM, etc; the FM band may become worse than the AM band.  At this point, the public will have to decide whether free radio is important to them, or 3G/4G services will become the new method of broadcasting.

NAB Engineering Handbook

I just found my old copy of the NAB Engineering Handbook, sixth edition. I have enjoyed thoroughly looking at the AM antenna sections. It reminds me, that while we tend to think we have come up with new answers to old problems, really most of this was figured out a long time ago, this particular edition was copyrighted in 1975.

It is a thick book and covers AM, FM, and TV broadcasting technology as it was understood in 1975.  There are several chapters about “current” things that no longer apply, there are also many very useful items, such as studio construction, AM and FM broadcast antennas, tower maintenance, and so on.

I will keep this on my shelf because it is an interesting primer on AM broadcast antennas with all attendant formulas and charts.  It is quite interesting and fun if one is looking for the theoretical efficiency of a 185-degree radiator at 1 mile.  I remember WPTR (now WDCD) in Albany had a three-tower with 206-degree radiators, 50 KW carrier power on 1540 KHz.  It seemed to be quite effective, when I was chief engineer there, we used to get reception reports from South Africa.

Perhaps one day, I’ll put some of that information to good use with an AM station of my own.

Breakaway Broadcast

I am a strong proponent of non-computer-based air chain processors.  Something about listening to dead air while the computer reboots is annoying and every computer needs to be rebooted every now and again.

All of that being said, I recently had a chance to play around with Breakaway Broadcast audio processing software.  I have to say, as a low-cost, very versatile platform, it can not be beaten.  I would put it up against any of the high-end FM audio processing, provided one uses a high-quality sound card with an adequate sample rate.

Claesson Edwards Audio has developed several software-based audio processors for a variety of end uses.   They make several recommendations for hardware and operating systems, Pentium 4 3.2 GHz or better, dual-core preferred.  If one is interested in using the sound card to generate composite audio, then any sound card capable of a true 192 KHz sample rate will work.  They list several that have been successfully tested on their website.

For approximately $1,200 dollars or so, one could buy a decent computer, the Breakaway Broadcast software, and the Airomate RDS generator software.  For a Mom and Pop, LP, or community radio station that is looking to do some high-end audio processing and or RDS, that is a good deal.  I would add a UPS to the computer and keep backup copies of the software installed on an emergency computer just in case.  One can never be too safe when it comes to computers, viruses, hackers, and other malicious persons.

Things that I like

  1. Inexpensive, the fully licensed version is $200.00.  The demo version is free but there is a 30-second promo every thirty minutes.
  2. There are several factory presets, but everything is fully configurable, changes can be named and saved allowing some experimentation.
  3. Audio cards with 192 KHz sample rate or greater can be used to generate composite audio, eliminating the need for a separate stereo generator
  4. RDS capable with additional software (Airomate2, approximate cost $35.00)
  5. The same processing computer can be used for streaming audio and or AM audio processing simultaneously.
  6. A full set of audio calibration tools for AM and FM transmitters allows correction for tilt, overshoot, and linearity.  Can add pre-emphasis at any user-selectable rate.
  7. Fully adjustable phase rotators.

Things that I don’t generally like:

  1. A computer-based system using Windoze operating system

WXPK in White Plains, NY has been using this software to process their streaming audio for about 2 years now.  The software itself is extremely stable running on a stand-alone Windows box with XP service pack 2.