I have been so busy that I forgot to post the pictures of the completed studio build out. Overall, I would say that I am pretty pleased with the end result. Of course, this is not Manhattan but rather an unrated market in central New York, and the budget reflected that. Overall, the radio stations are in much better technical condition than before. They are now located in the center of their community within walking distance of the town hall, other civic locations and activities.
There are five radio stations broadcasting from this new studio space. Two stations are simulcast using the Westwood One Classic hits format from the satellite. The only AM station is a Fox Sports Radio affiliate from the satellite with a local morning show. Another one is a “we play anything” computer juke box and final station has a country format with quite a bit of local content. Any station can go on the air from either studio. In addition, all stations can simulcast the mother ship from Oneonta, which comes down via a Barix Exstreamer 1000.
The Technical Operation Center consists of four racks containing the Ethernet routers, switches, a patch panel, automation systems, audio routing switchers, air monitor receivers, audio distribution amps, Barix units, Wheatstone Blade IP 88A STL, etc. The equipment racks came from a disused site in New Jersey.
The satellite dish and receivers are located at the transmitter site, audio and closures come back via the Wheatstone Blade IP 88A.
Everything in this room is backed up by a STACO 2.5 KVA UPS.
The wire termination from the studio are mounted to Krone LSA-PLUS blocks. Studio trunk wiring consists of connectorized 25 pair CAT 5 cable. There are also six runs of shielded CAT 5e cable for Ethernet and extended KVM from the TOC.
There is a manual transfer switch with a NEMA L14-30 input receptacle on the bottom. A twenty for 10/4 SOJ cable will reach the ground from the window in the left hand side of the picture. This is the standard NEMA plug/receptacle set for a moderate sized portable generator. That feeds a 100 Amp sub panel which in turn feeds the racks and studio equipment. Thus the entire facility can be run on a 5000 watt (good quality) portable generator in the event of a prolonged power outage.
The ground buss bar is connected to the main building ground at the service entrance. All racks and studio consoles are grounded to this main ground point.
The air monitor receivers feed both studios. There is also a provision to connect audio silence sensors up to each air monitor DA to notify the station staff in the event of an off air situation. Believe it or not, this type of system has never been installed for these stations.
Studio A is the main studio. The AudioArts Air4 console is a good fit for this type of operation. These consoles have USB outputs, so the console can act as a sound card for the digital editing computer. Each studio is equipped with an air monitor switch that can select any station to feed the external monitor input on the Air 4 console. This allows the guy on duty to keep an eye on all the signals coming from the facility.
The counter tops were custom made at a local kitchen place on trade. The microphone are Heil PR-22 with shock mounts, which are better than the Realistic mics in the old studio. This is the first time that the main studio has had more than one microphone. The morning show guy has already pressed those guest mics into service with a few on air interviews.
The monitor speakers are JBL LSR305 mounted on home made speaker stands consisting of 18 inch black iron pipe and floor flanges.
The small equipment rack is on casters and can roll out from under the studio furniture to get at the back of the equipment. A used Gentner DH3 TELCO hybrid is used to get phone callers on the air. Adobe Audition is used for editing and production on the left hand computer monitor. That CPU is in the bottom of the roll around rack.
The office chair and other furniture was also acquired on trade.
What the operator sees. STORQ computer on the left for music, Scotts SS32 on the right for automation. Both are extended from the TOC. Unless the morning show guy is live on the air, the console is bypassed and the audio stays in the TOC.
It all works pretty well.
Studio B is the same as Studio A except fewer microphones.
Studio B operator view. This studio can be used for one of the other stations or production.
Again, this is not a Fancy Nancy installation, but it does get the job done.